But if the later Wittgenstein is right, the idea that the psychological concepts we invoke in the practice of engaging with art are part of a primitive theory of responding to art profoundly misconstrues the nature of those concepts.
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Language: en
Pages: 320
Pages: 320
This is the first full exploration of the implications of Wittgenstein's philosophy for understanding the arts and cultural criticism. These original essays by philosophers and critics address key philosophical topics in the study of the arts and culture, such as humanism, criticism, psychology, painting, film and ethics. All exemplify Wittgenstein's
Language: en
Pages: 320
Pages: 320
This is the first full exploration of the implications of Wittgenstein's philosophy for understanding the arts and cultural criticism. These original essays by philosophers and critics address key philosophical topics in the study of the arts and culture, such as humanism, criticism, psychology, painting, film and ethics. All exemplify Wittgenstein's
Language: en
Pages: 208
Pages: 208
Art as Language systematically considers the implications of the pervasive belief that art is a language or functions like language. This insightful book clarifies the similarities and differences between expression in speech and expression in art, and examines Wittgenstein's work on language and mind as it applies to several prominent
Language: en
Pages: 704
Pages: 704
The Routledge Companion to Philosophy and Film is the first comprehensive volume to explore the main themes, topics, thinkers and issues in philosophy and film. The Companion features sixty specially commissioned chapters from international scholars and is divided into four clear parts: • issues and concepts • authors and trends
Language: en
Pages: 356
Pages: 356
Applying the approach of Wittgenstein to core areas of literary theory, including poetry, deconstruction, the ethical value of literature and the nature and logic of fictional discourse, this volume brings together 21 articles by prominent figures in the field.